My approach is a collision of two worlds — the precision of a fashion editor met with the raw, unscripted emotion of a documentarian.
I don’t just capture a wedding. I direct a scene. We reject the stiff, we embrace the blur, and we chase the feeling.
The Experience →
Sanz.
Stories
is a singular document.
Never repeated.
Not a commission — something more unguarded than that. Parkwood Estate, Toronto, mid-summer. The chemistry between them did all the work.
Strong editorial instinct, zero direction. I followed the light and stayed out of the way. What emerged was a series that felt less like a shoot and more like a document — two people exactly as they are.
Chau
Wedding
Jess and Alex. A summer day at the Royal Ambassador. The light came in generous and the whole thing felt inevitable.
What I remember most is the stillness between the movement — two people who already knew how to be near each other. I didn’t direct a single frame. I just stayed close and let the day write itself.
& Ana
The kind of light that arrives once and doesn’t negotiate. We moved through the gardens slowly — no schedule, no agenda.
Villa Cipressi sits at the water’s edge like it was placed there deliberately. The terraces, the stone, the way the lake holds the sky — everything conspired. Lucas and Ana moved through it like they already knew this day would matter. I photographed accordingly.
Italy
—
2024
“It rained the whole day.
The lake was grey and low.
Every frame was perfect.”
disappear.
Every light shifts and goes.
Let’s make sure yours stays.
